The opening musical idea of Clara's "
Notturno" (No.
(40) Per le traduzioni del Raffles originale si dovette aspettare un anno piu tardi, quando Salani inizio a proporre le raccolte di racconti che lo vedono protagonista: (41) nel 1912 escono Raffles: il ladro gentiluomo, (42) mentre nel 1917 L'uomo dalla maschera nera (43) e Un ladro
notturno. Ultime cronache di Raffles, (44) tutte curate da Benedetto Carelli.
In the following two chapters, "Schubert Stars on the Popular Musical Stage: Das Dreimaderlhaus and Blossom Time" and "Imagining Schubert on Screen: Blossom Time, Melody Master, and
Notturno," Block turns to popular culture to examine the public's interest in the composer's life story.
It's good to hear rare examples of the genre from Clara Schumann, Faure, Debussy, Grieg and Tchaikovsky while Respighi's fervent
Notturno will stop you from nodding off.
Durante il suo ristoro
notturno, viene ricondotto al reame di una misteriosa "Anima originaria", per rinascere infine come "fanciulletto umano" dopo averne attraversato le impervie regioni cosmiche:
At the fourth Qumra, the annual industry event by the Doha Film Institute (DFI) which aims to nurture the skills and networking opportunities of first- and second-time filmmakers from around the world, he was a trifle more open about his next work,
Notturno. A peek into the night life in the Middle East,
Notturno also marks Rosi's first documentary in the region, having taken his camera to India, USA, Rome and the island of Lampedusa, winning acclaim along the way.
Si bien con anterioridad se puede rastrear el termino "
notturno" en Haydn, (2) asi como se observan determinadas composiciones que aluden al ambito de la noche--piensese en Mozart y su Pequena serenata nocturna--, y a inicios de la epoca decimononica publica Beethoven su Sonata quasi una Fantasia Op.
5 Quante ore riposa complessivamente nella giornata (riposo
notturno e diurno)?
In the tales of Mondo piccolo of 1947 and 1948 he fictionalized the sense of collective fear in "
Notturno con campane," "Paura," "La paura continua," and "Il cerchio si ruppe." Indeed, well into the 1950s, he returned to this theme often with stories like, "Due mani benedette" and "Il sangue non e acqua," when Don Camillo, Peppone, and the town folk have to solve a haunting mystery surrounding an "eliminato." Guareschi did not hide from recounting this post-war viciousness, even fearing that he might be personally harmed as a journalist for discussing them.
This included: songs like A Nightingale Sang in Berkeley Square and Yesterday; classical pieces such as Czardas by Monti and
Notturno by Grieg; and as always, fine selection of contemporary jazz.
It should be worth standing outside the church in freezing cold, just to place an ear to the wall to hear the Schubert
Notturno in E Flat.