himation

(redirected from himatia)

hi·mat·i·on

 (hĭ-măt′ē-ŏn′)
n. pl. hi·mat·i·a (-ē-ə)
A rectangular woolen or linen cloak worn by men and women in ancient Greece.

[Greek hīmation, diminutive of hīma, hīmat-, garment, variant of heima, from hennunai, to clothe; see wes- in Indo-European roots.]
American Heritage® Dictionary of the English Language, Fifth Edition. Copyright © 2016 by Houghton Mifflin Harcourt Publishing Company. Published by Houghton Mifflin Harcourt Publishing Company. All rights reserved.

himation

(hɪˈmætɪˌɒn)
n, pl -ia (-ɪə)
(Clothing & Fashion) (in ancient Greece) a cloak draped around the body
[C19: from Greek: a little garment, from heima dress, from hennunai to clothe]
Collins English Dictionary – Complete and Unabridged, 12th Edition 2014 © HarperCollins Publishers 1991, 1994, 1998, 2000, 2003, 2006, 2007, 2009, 2011, 2014

hi•mat•i•on

(hɪˈmæt iˌɒn)

n., pl. -mat•i•a (-ˈmæt i ə)
a rectangular piece of cloth thrown over the left shoulder and wrapped about the body, worn as an outer garment in ancient Greece.
[1840–50; < Greek hīmation=hīmat-, variant of heimat-, s. of heîma dress, garment]
Random House Kernerman Webster's College Dictionary, © 2010 K Dictionaries Ltd. Copyright 2005, 1997, 1991 by Random House, Inc. All rights reserved.

himation

a garment composed of a rectangular piece of cloth, thrown over the left shoulder and draped around the body, as worn in ancient Greece.
See also: Greece and Greeks
-Ologies & -Isms. Copyright 2008 The Gale Group, Inc. All rights reserved.
References in periodicals archive ?
(47) The male initiates wear himatia only over the left shoulder with the right arm bare, and they wear myrtle wreaths, conventions that we believe contemporary fourth-century people followed.
(57) The Munich cup is important for this discussion because Makron drapes the himatia on the eromenoi in different ways to communicate distinct narrative moments in the courtship between men and boys.
(33) Here, she simply refers to himatia, a generic term for clothes, and no adjectives highlight the expensive quality of the garment.
Both painters dressed their figures in emphatic drapery; Sourvinou-Inwood notes the peculiar stiffening of the ends of the himatia. (56) This is most familiar from the Marpessa psykter (Figs.
(Note, too, that on the pelike both the youth and his older companion wear their himatia so as to expose their upper bodies.)